- Phoebe Cates (1963- )
Showing posts with label Movie. Show all posts
Showing posts with label Movie. Show all posts
Friday, January 24, 2014
Celebrity, Phoebe Cates
- Phoebe Cates (1963- )
Friday, August 2, 2013
Hero, Iron Man 2 (2010)
Nick Fury: Sir, I'm going to have to ask you to exit the donut.
Tony: I told you I don't want to join your super secret boy band.
Fury: [laughs] No no no, see? I remember, you do everything yourself. How's that working out for ya?
Tony: It-It-It-It's... I'm sorry, I don't want to get off on the wrong foot. Do I look at the patch or the eye? Honestly, I'm a bit hungover. I'm not sure if you're real or... or if I'm having deliriu....
Fury: [interrupts] I am very real. I'm the realest person you're ever gonna meet.
Tony: Just my luck. Where's the staff here? [looks around]
Fury: [pulls down Tony's collar to look at the marks on his neck] That's not looking so good.
Tony: It's been worse.
Agent Natasha Romanov: [walks up to the table] We've secured the perimeter. But I don't think we should hold it for too much longer.
Tony: [learning for the first time Natasha's true identity] Huh... you're... fired.
Natasha: That's not up to you.
- Scarlett Johansson as Natalia Romanova from Iron Man 2 (2010)
Sunday, December 9, 2012
Hero, Scarlett Johansson as Natalie Rushman from Iron Man 2 (2010)
Tony Stark: Well, you have a quiet reserve about you...
Natalie: I meant your fingerprint.
- Scarlett Johansson as Natalie Rushman from Iron Man 2 (2010)
Friday, April 30, 2010
[Y^^]: Wanted(2008)
[Y^^]: Wanted(2008)
Wanted has a distinct characteristic. It twists a lot of stereotypes. TThe law of gravity can not apply to the characters. The bullets curve through the air.
Sometimes it reverse time. Above all, it says justice does not always triumph. Moreover, it gives cinema audiences a question, "Is there justice?"
Because there is not justice nor virtue in the film, the graininess and cruelty is natural. However, if you do not enjoy the cruelty, it may be unfit for you.
Tuesday, April 27, 2010
[Y^^]: Spartacus: Blood and Sand
[Y^^]: Spartacus: Blood and Sand
It's a hardcore historical television series. It's historical background is the Roman Empire similar to TV series Rome that was aired in 2005-2006. Spartacus includes a lot of cruelty and sexuality. I am not shocked that kinds of scene because I had already watched Rome. Anyway, I'm not really into hardcore.
Watching the series, you become accustomed to the brutality. When you see the blood, it looks like just red color. Of course it's really red color itself. Also it contains nudity and sexuality. Someone likes and says that those scenes make the series real. However, I think the maker use those scenes just as kind of service (like panties in Japanese animation, but its level is different).
Film Makers may say that TV series or movies do not cause crimes and the copycat crimes are not their fault. They may assert the freedom of expression. I agree that the freedom of expression should be guaranteed. However, no one can deny that the violent programs impact on the crime.
I stop watching Spartacus, but I accustomed myself to the blood and atrocity. If someone who enjoy this kind of program, he will accustomed himself to the blood and cruelty. He will think the bloody viloence is natural in real life."
It's a hardcore historical television series. It's historical background is the Roman Empire similar to TV series Rome that was aired in 2005-2006. Spartacus includes a lot of cruelty and sexuality. I am not shocked that kinds of scene because I had already watched Rome. Anyway, I'm not really into hardcore.
Watching the series, you become accustomed to the brutality. When you see the blood, it looks like just red color. Of course it's really red color itself. Also it contains nudity and sexuality. Someone likes and says that those scenes make the series real. However, I think the maker use those scenes just as kind of service (like panties in Japanese animation, but its level is different).
Film Makers may say that TV series or movies do not cause crimes and the copycat crimes are not their fault. They may assert the freedom of expression. I agree that the freedom of expression should be guaranteed. However, no one can deny that the violent programs impact on the crime.
I stop watching Spartacus, but I accustomed myself to the blood and atrocity. If someone who enjoy this kind of program, he will accustomed himself to the blood and cruelty. He will think the bloody viloence is natural in real life."
Saturday, April 24, 2010
[Y^^]: RoboCop (1987)
[Y^^]: RoboCop (1987)
It's a very special movie to me, because I started to write something after watching this movie. The first fiction that I wrote was 'Neo Black(黑新敎).' It was affected by 'RoboCop' and 'The Legend of Condor Heroes(射鵰英雄傳).' Neo Black is a oriental fantasy novel. Robot police officiers, Taoist and vampires showed up. I wrote down on paper but I threw it away. I regret my action, but there is no Neo Black anymore.
The future of the movie is very gloomy. The capital control the city and police force.
Because financial difficulty of some cities such as LA, it may not be entirely fictional situation. The city is about to default on a debt. The fire fighters and police officers can not receive their salary. It's real.
Capitalism aims at making profits. People are forced to believe that the privatization is better because it's more efficent.
In the movie, the city, Detroit is governed by a company, OCP. The reason is familiar. Financial difficulty of regional government, privatization, M&A.
The company makes a plan to develop robots that substitute for police forces.
Murphy, a police officer was murdered in line of duty. Fortunately or unfortunately, he was reborn as cyborg. It's a great movie to express a bleak future dominated by the capitalism and efficiency. Also It says about beings between human and robots.
Because financial difficulty of some cities such as LA, it may not be entirely fictional situation. The city is about to default on a debt. The fire fighters and police officers can not receive their salary. It's real.
Capitalism aims at making profits. People are forced to believe that the privatization is better because it's more efficent.
In the movie, the city, Detroit is governed by a company, OCP. The reason is familiar. Financial difficulty of regional government, privatization, M&A.
The company makes a plan to develop robots that substitute for police forces.
Murphy, a police officer was murdered in line of duty. Fortunately or unfortunately, he was reborn as cyborg. It's a great movie to express a bleak future dominated by the capitalism and efficiency. Also It says about beings between human and robots.
It's a very special movie to me, because I started to write something after watching this movie. The first fiction that I wrote was 'Neo Black(黑新敎).' It was affected by 'RoboCop' and 'The Legend of Condor Heroes(射鵰英雄傳).' Neo Black is a oriental fantasy novel. Robot police officiers, Taoist and vampires showed up. I wrote down on paper but I threw it away. I regret my action, but there is no Neo Black anymore.
Wednesday, April 14, 2010
RoboCop (1987)
RoboCop
Directed by: Paul Verhoeven
Starring: Peter Weller, Nancy Allen
Distributed by: Orion Pictures
Country: United States
Rating: MPAA: R (US), 15+ (KR)
RoboCop is a 1987 science fiction film directed by Paul Verhoeven. Set in a crime-ridden Detroit, Michigan in the near future, RoboCop centers on a police officer who is brutally murdered and subsequently re-created as a super-human cyborg known as "RoboCop". In addition to being an action film, RoboCop includes larger themes regarding the media, gentrification, corruption, and human nature. It has spawned merchandise, two sequels, three television series, a television mini-series, video games and two comic book adaptations.
The film features Peter Weller, Dan O'Herlihy, Kurtwood Smith, Nancy Allen, Miguel Ferrer and Ronny Cox.
Synopsis
In a dystopian future, the city of Detroit, Michigan is on the verge of collapse due to financial ruin and unchecked crime. The city brings in the mega-corporation Omni Consumer Products, or OCP, to solve the problems. OCP promptly privatizes the police force. OCP makes plans to destroy "Old Detroit" to replace it with the utopia of "Delta City."
The OCP Chairman (Dan O'Herlihy) recognizes that the human law enforcement is insufficient to stop the crime spree and seeks other opportunities. Senior President Dick Jones (Ronny Cox) offers a "law enforcement 'droid," the ED-209, but when the demonstration kills one of the other executives, the President of OCP turns instead to the "RoboCop" program to create an augmented cyborg, led by junior executive Bob Morton (Miguel Ferrer). Jones becomes bitterly jealous of Morton, as Bob Morton's accomplishment with Robocop allows him to move up on the ladder of success in the OCP ranks.
Veteran police officer Alexander James Murphy (Peter Weller) is transferred to a new precinct and partnered with Anne Lewis (Nancy Allen). On their first patrol, they chase down a team of criminals led by crime boss Clarence Boddicker (Kurtwood Smith) to an abandoned steel mill outside town. Murphy and Lewis separate, and Boddicker's men capture Murphy, sadistically murdering him by shooting him many times with shotguns before running off. Murphy is pronounced dead at the hospital, but OCP takes his body and uses it to create the first RoboCop. RoboCop is guided by three law enforcement tenets written into his programming, called Directives: serve the public trust, protect the innocent and uphold the law.
He is able to single-handedly deal with much of the violent crime in the city, causing the rest of the police force to become worried they may be replaced. However, RoboCop still retains memories of his life as Murphy, including brief glimpses of his wife and son, and the action of spinning his gun before holstering it, a trick Murphy had done for his son. Lewis recognizes these elements from Murphy's mannerisms, and tries to learn more from RoboCop, but he remains silent on the issues. Because of Robocop's success, Morton is promoted to become one of OCP's Vice Presidents.
Morton's success and arrogance leads Jones to have Boddicker, secretly in his employ, kill the junior executive. An armed gas station holdup by one of Boddicker's men allows RoboCop to track down Boddicker to a cocaine bunker. RoboCop bursts into the facility and a shootout between him and the bandits ensues. RoboCop then apprehends Boddicker and forcefully makes him reveal his alliance with Dick Jones. RoboCop then visits Jones at his offices at OCP, showing him Boddicker's statement and prepares to arrest Jones. However, as RoboCop does so, a previously unknown and secret fourth Directive activates that prevents RoboCop from acting against any senior executive of OCP. Jones boasts to RoboCop about the Fourth Directive, which he added, and his role in Morton's murder, and then sends an ED-209 against RoboCop. RoboCop, handicapped by his neural network, engages the machine. The ED-209, though possessing impressive advanced technology proves incapable of descending a stairway. When Robocop gets outside, the police SWAT team is waiting for him with orders to destroy him, but Lewis, having followed RoboCop, saves him.
Lewis tends to RoboCop's injuries at the same steel mill where Murphy was killed, and discovers that there is still some of Murphy present despite the cyborg augmentation. Meanwhile, the police launch their long-threatened strike, sending the city into chaos. Jones arranges for Boddicker and his men to be released from prison and funds them with new cars and Cobra Assault Cannons capable of puncturing RoboCop's heavy armor. Boddicker's team converges on the steel mill using a tracking device provided by OCP. RoboCop and Lewis defend themselves and kill the whole gang, though Lewis is severely wounded.
RoboCop returns to OCP headquarters and uses one of the Assault Cannons to destroy the ED-209 guarding the building. Arriving in the middle of an executive board meeting with the president, Jones, and other executives, RoboCop plays back Jones's confession to Morton's murder and explains his inability to arrest OCP employees. Jones quickly grabs a gun and takes the president hostage and begins making demands. The president, in response to being taken hostage and enlightened by RoboCop's explanation of the Fourth Directive, fires Jones, invalidating his protection under it. After thanking the president, RoboCop promptly shoots Jones, who then falls out of the window to his death. As the board room recovers from the crisis, the president commends RoboCop for his skill and asks for his name, to which he replies, "Murphy".
Friday, April 2, 2010
Clash of the Titans (2010)
Clash of the Titans (2010)
Directed by: Louis Leterrier
Produced by: Basil Iwanyk, Kevin De La Noy, Lynn Harris
Studio: Legendary Pictures
Distributed by: Warner Bros. Pictures
Release date(s): April 2, 2010
Running time: 118 minutes
Country: United Kingdom, United States
Clash of the Titans is a 2010 fantasy film and remake of the 1981 film of the same name. As with the 1981 film, the story is very loosely based upon the Greek myth of Perseus. Directed by Louis Leterrier and starring Sam Worthington, the film was originally set for standard release on March 26, 2010. However, it was later announced that the film would be converted to 3D and was finally released on April 2, 2010.
Plot
The film begins with a narration that explains the three Olympians who battled the Titans long ago: Zeus, Poseidon, and Hades. Hades provided their means of defeating the Titans with his creation, the Kraken. After the Titans' defeat, Zeus created humans and ruled them while Poseidon ruled the sea, but Hades, having been deceived by his brother Zeus, was forced to rule the Underworld, learns an alternative way of gaining power from humans different from his brothers receiving theirs from human prayer: through fear.
Millennia later, a fisherman named Spyros finds a coffin adrift in the sea, discovering a baby, Perseus, and his dead mother, Danaë, inside. Spyros decides to raise Perseus as his own. Years later, Perseus and his family are fishing when they witness a group of soldiers from Argos destroying a statue of Zeus as a declaration of war against the Gods. Hades appears and commands harpies to massacre the soldiers before he himself destroys Perseus' family's fishing boat. Perseus tries to save his family, but to no avail, the surviving soldiers take Perseus back to Argos. During a feast for the returning soldiers, King Cepheus and Queen Cassiopeia of Argos compare themselves and their daughter, Andromeda, to the Gods much to their daughter's dismay. After convincing his brother to let him loose on humanity to punish Argos for its defiance, Hades appears in the courtroom before killing the remaining soldiers while Perseus is unaffected. Revealing Perseus to be the Demigod son of Zeus, and aging Cassiopeia to death, Hades threatens that if Princess Andromeda is not sacrificed to the Kraken, Argos will be destroyed in 10 days. Hermes, the messenger God, approaches Zeus on Olympus, revealing the location of his son Perseus. While Hermes suggests offering Perseus sanctuary, Zeus declares that he shall be left to his fate, along with the other infidel mortals.
The king seeks the help of Perseus after he is beaten and threatened to be thrown in a fire pit. Perseus initially refuses and gets locked in the dungeon, until he meets Io, a woman who does not age as punishment for refusing to be seduced by the God Ares. Io then reveals her conception was a punishment conducted by Zeus on Acrisius, the former king of Argos who was married to Danaë, for his actions against the Gods.Zeus sneaks in disguised as an eagle. Zeus copulated with Danaë and, as Acrisius came in, escaped. When Acrisius sets Danaë and the baby Perseus adrift in their coffin, an enraged Zeus struck Acrisius with lightning, leaving him hideously disfigured. After learning that killing the Kraken would allow him to have his revenge against Hades, Perseus accepts as he and Argos' finest soldiers embark on a quest to find the Stygian Witches with a pair of Persian monster-hunters named Ixas and Kucuk, and Io following. To counter this turn of events, Hades enlists Acrisius, now called Calibos, to kill off Perseus by imbuing him with superhuman powers.
While in the woods, Perseus and his men discover a sword forged in Olympus that will only display power if it is wielded by Perseus. While separated from the group, Perseus encounters Zeus' sacred herd of flying horses, the Pegasus. However, Perseus refuses both the sword and the pure-black Pegasus that the Gods were offering as assistance, as he does not wish to be a God. Calibos attacks the group and tries to murder Perseus, killing several soldiers in the process, but Calibos is unsuccessful, losing his hand before escaping. However, Calibos's blood forms giant scorpions from the sand that attack Perseus and his group. Though they slay several scorpions, most of the group are slain, and the survivors are surrounded by more of the monsters. They are saved by the Djinn, a band of shamans once human, who have turned themselves into the Demons of Arabian mythology by replacing their earthly flesh with ash and stone; thus making them immortal. The mysterious beings are able to hypnotize the scorpions into submission. Though not trusted prior to healing Perseus's wound, the Djinn leader, Sheikh Suleiman, joins Perseus's group as his kind wish to see the Gods wish for destruction to fail.
The heroes arrive at Garden of Stygia, learning from the Stygian Witches that the head of the Gorgon Medusa could kill the Kraken, but that Perseus and his group will die in the process. After leaving the witches, with the hunters taking their leave, Perseus is visited by Zeus who offers him asylum on Mount Olympus, but he refuses. Zeus gives him instead a golden drachma, which Perseus later learns is a means to bribe Charon for passage into the Underworld. While Io remains outside Medusa's lair, due to a spell that forbids any woman from entering the area, Perseus's remaining soldiers fight hard to stay alive, turning to stone one by one by her gaze. But with Suleiman self-destructing himself and Draco's sacrifice, Perseus manages to behead Medusa. Perseus emerges in time to see Calibos stab Io from behind. Perseus engages Calibos in combat and kills him using the sword from Olympus, turning him back into Acrisius in human form. With his final breath as Hades's power leaving him, Acrisius tells Perseus to never become a God. Perseus stays with the dying Io until she passes on and flies away in gold dust to Olympus. He then rides Pegasus back to Argos with Medusa's head to find some of Argos's citizens have formed a Cult of Hades and are planning to sacrifice Andromeda to the Kraken against the king's wishes. By then, Hades reveals to Zeus the destruction of Argos will give him enough power to overthrow the other Olympians; when Zeus reveals Perseus is still alive in Argos, Hades leaves his powerless brother to ensure his victory.
Perseus returns to Argos, but Hades sends his harpies to stop him. Perseus defeats the creatures sent by Hades and uses the head of Medusa to turn the Kraken into stone as Cepheus is killed by the cult leader, who is then crushed under the shattering Kraken. Hades appears and sneers that Perseus cannot kill him, since he is a God. Perseus retorts that while Hades can live forever, it will not be in the world of men and uses the sword with Zeus' lightning bolt to banish Hades back to the Underworld. After saving Argos from destruction and Andromeda from drowning, Andromeda herself suggests that Perseus will become king and rule Argos at her side, but he declines. On the broken statue of Zeus, the God of Olympus appears before Perseus again and offers to make him a God, but for a second time he refuses. Zeus warns Perseus that Hades will return to rule the world in darkness when he amasses enough fear from mankind. Since Perseus is intent to stay on Earth, Zeus resurrects Io, and the two embrace while Pegasus flies above them.
Cast
Sam Worthington as Perseus main protagonist, and son of Zeus
Liam Neeson as Zeus, the leader of the Gods of Mount Olympus
Ralph Fiennes as Hades, God of the Underworld and the primary villain
Gemma Arterton as Io, a woman cursed with agelessness who guides Perseus in his quest and narrates the Titanomachy at the start of the film
Alexa Davalos as Andromeda, the princess that will be sacrificed to the kraken
Izabella Miko as Athena, Goddess of Wisdom and Knowledge
Mads Mikkelsen as Draco, leader of the Praetorian Guard
Jason Flemyng as Acrisius/Calibos
Danny Huston as Poseidon, God of the rivers, oceans and seas
David Kennedy as Cepheus's General
Tamer Hassan as Ares, God of war and battle
Pete Postlethwaite as Spyros, foster father of Perseus
Polly Walker as Cassiopeia, Queen of Argos
Vincent Regan as Cepheus, King of Argos
Luke Treadaway as Prokopion
Luke Evans as Apollo, God of the Sun, Poetry, Truth, Art and Healing.
Nathalie Cox as Artemis, Goddess of hunting and animals
Nina Young as Hera, Goddess of women and marriage and a wife of Zeus
Kaya Scodelario as Peshet
Nicholas Hoult as Eusebios
Ian Whyte as Sheikh Sulieman, The Djinn who assisted Perseus and the praetorian guards of Argos
Agyness Deyn as Aphrodite, Goddess of love, sex and beauty
Paul Kynman as Hephaestus, God of fire
Alexander Siddig as Hermes, Messenger of the Gods
Charlotte Comer as Demeter, Goddess of the Earth and agriculture
Jane March as Hestia, Goddess of the hearth
Natalia Vodianova as Medusa, The mortal Gorgon
Hans Matheson as Ixas
Mouloud Achour as Kucuk
Liam Cunningham as Solon
Ross Mullan as Pemphredo
Ashraf Barhom as Ozal
Creatures
Stygian Witches - Three women with gray skin and only one eye they share amongst them. They have a taste for human flesh, as their "knowledge demands payment".
Giant scorpions - Scorpions born from the blood of Acrisius; hypnotized by the Djinn.
Gorgon - Medusa the gorgon appears in the film as a giant, half snake, half human creature. She is beheaded by Perseus, leaving the rest of her body to fall into a lava pit.
Djinn - spirit beings living in the desert with magical powers.
Kraken - an enormous sea monster who defeated the titans and was turned to stone by Medusa's head.
Harpies - Winged demons who come from the body of Hades.
Pegasus - The winged horse that Perseus uses to ride to the confrontation with the Kraken.
Bubo - The mechanical owl from the 1981 film makes a cameo appearance early in the film.
Sequel
It has been stated that a sequel will be developed. Director Louis Leterrier will not come back to direct but will be an executive producer on the project. Clash of the Titans II has a tentative 2012 release date.
Greek mythology in popular culture | English-language films | American epic films | Films based on Greco-Roman mythology | Film remakes | Warner Bros. films | Legendary Pictures films | American fantasy adventure films | 3-D films | D-BOX motion-enhanced films | 2010 films
Directed by: Louis Leterrier
Produced by: Basil Iwanyk, Kevin De La Noy, Lynn Harris
Studio: Legendary Pictures
Distributed by: Warner Bros. Pictures
Release date(s): April 2, 2010
Running time: 118 minutes
Country: United Kingdom, United States
Clash of the Titans is a 2010 fantasy film and remake of the 1981 film of the same name. As with the 1981 film, the story is very loosely based upon the Greek myth of Perseus. Directed by Louis Leterrier and starring Sam Worthington, the film was originally set for standard release on March 26, 2010. However, it was later announced that the film would be converted to 3D and was finally released on April 2, 2010.
Plot
The film begins with a narration that explains the three Olympians who battled the Titans long ago: Zeus, Poseidon, and Hades. Hades provided their means of defeating the Titans with his creation, the Kraken. After the Titans' defeat, Zeus created humans and ruled them while Poseidon ruled the sea, but Hades, having been deceived by his brother Zeus, was forced to rule the Underworld, learns an alternative way of gaining power from humans different from his brothers receiving theirs from human prayer: through fear.
Millennia later, a fisherman named Spyros finds a coffin adrift in the sea, discovering a baby, Perseus, and his dead mother, Danaë, inside. Spyros decides to raise Perseus as his own. Years later, Perseus and his family are fishing when they witness a group of soldiers from Argos destroying a statue of Zeus as a declaration of war against the Gods. Hades appears and commands harpies to massacre the soldiers before he himself destroys Perseus' family's fishing boat. Perseus tries to save his family, but to no avail, the surviving soldiers take Perseus back to Argos. During a feast for the returning soldiers, King Cepheus and Queen Cassiopeia of Argos compare themselves and their daughter, Andromeda, to the Gods much to their daughter's dismay. After convincing his brother to let him loose on humanity to punish Argos for its defiance, Hades appears in the courtroom before killing the remaining soldiers while Perseus is unaffected. Revealing Perseus to be the Demigod son of Zeus, and aging Cassiopeia to death, Hades threatens that if Princess Andromeda is not sacrificed to the Kraken, Argos will be destroyed in 10 days. Hermes, the messenger God, approaches Zeus on Olympus, revealing the location of his son Perseus. While Hermes suggests offering Perseus sanctuary, Zeus declares that he shall be left to his fate, along with the other infidel mortals.
The king seeks the help of Perseus after he is beaten and threatened to be thrown in a fire pit. Perseus initially refuses and gets locked in the dungeon, until he meets Io, a woman who does not age as punishment for refusing to be seduced by the God Ares. Io then reveals her conception was a punishment conducted by Zeus on Acrisius, the former king of Argos who was married to Danaë, for his actions against the Gods.Zeus sneaks in disguised as an eagle. Zeus copulated with Danaë and, as Acrisius came in, escaped. When Acrisius sets Danaë and the baby Perseus adrift in their coffin, an enraged Zeus struck Acrisius with lightning, leaving him hideously disfigured. After learning that killing the Kraken would allow him to have his revenge against Hades, Perseus accepts as he and Argos' finest soldiers embark on a quest to find the Stygian Witches with a pair of Persian monster-hunters named Ixas and Kucuk, and Io following. To counter this turn of events, Hades enlists Acrisius, now called Calibos, to kill off Perseus by imbuing him with superhuman powers.
While in the woods, Perseus and his men discover a sword forged in Olympus that will only display power if it is wielded by Perseus. While separated from the group, Perseus encounters Zeus' sacred herd of flying horses, the Pegasus. However, Perseus refuses both the sword and the pure-black Pegasus that the Gods were offering as assistance, as he does not wish to be a God. Calibos attacks the group and tries to murder Perseus, killing several soldiers in the process, but Calibos is unsuccessful, losing his hand before escaping. However, Calibos's blood forms giant scorpions from the sand that attack Perseus and his group. Though they slay several scorpions, most of the group are slain, and the survivors are surrounded by more of the monsters. They are saved by the Djinn, a band of shamans once human, who have turned themselves into the Demons of Arabian mythology by replacing their earthly flesh with ash and stone; thus making them immortal. The mysterious beings are able to hypnotize the scorpions into submission. Though not trusted prior to healing Perseus's wound, the Djinn leader, Sheikh Suleiman, joins Perseus's group as his kind wish to see the Gods wish for destruction to fail.
The heroes arrive at Garden of Stygia, learning from the Stygian Witches that the head of the Gorgon Medusa could kill the Kraken, but that Perseus and his group will die in the process. After leaving the witches, with the hunters taking their leave, Perseus is visited by Zeus who offers him asylum on Mount Olympus, but he refuses. Zeus gives him instead a golden drachma, which Perseus later learns is a means to bribe Charon for passage into the Underworld. While Io remains outside Medusa's lair, due to a spell that forbids any woman from entering the area, Perseus's remaining soldiers fight hard to stay alive, turning to stone one by one by her gaze. But with Suleiman self-destructing himself and Draco's sacrifice, Perseus manages to behead Medusa. Perseus emerges in time to see Calibos stab Io from behind. Perseus engages Calibos in combat and kills him using the sword from Olympus, turning him back into Acrisius in human form. With his final breath as Hades's power leaving him, Acrisius tells Perseus to never become a God. Perseus stays with the dying Io until she passes on and flies away in gold dust to Olympus. He then rides Pegasus back to Argos with Medusa's head to find some of Argos's citizens have formed a Cult of Hades and are planning to sacrifice Andromeda to the Kraken against the king's wishes. By then, Hades reveals to Zeus the destruction of Argos will give him enough power to overthrow the other Olympians; when Zeus reveals Perseus is still alive in Argos, Hades leaves his powerless brother to ensure his victory.
Perseus returns to Argos, but Hades sends his harpies to stop him. Perseus defeats the creatures sent by Hades and uses the head of Medusa to turn the Kraken into stone as Cepheus is killed by the cult leader, who is then crushed under the shattering Kraken. Hades appears and sneers that Perseus cannot kill him, since he is a God. Perseus retorts that while Hades can live forever, it will not be in the world of men and uses the sword with Zeus' lightning bolt to banish Hades back to the Underworld. After saving Argos from destruction and Andromeda from drowning, Andromeda herself suggests that Perseus will become king and rule Argos at her side, but he declines. On the broken statue of Zeus, the God of Olympus appears before Perseus again and offers to make him a God, but for a second time he refuses. Zeus warns Perseus that Hades will return to rule the world in darkness when he amasses enough fear from mankind. Since Perseus is intent to stay on Earth, Zeus resurrects Io, and the two embrace while Pegasus flies above them.
Cast
Sam Worthington as Perseus main protagonist, and son of Zeus
Liam Neeson as Zeus, the leader of the Gods of Mount Olympus
Ralph Fiennes as Hades, God of the Underworld and the primary villain
Gemma Arterton as Io, a woman cursed with agelessness who guides Perseus in his quest and narrates the Titanomachy at the start of the film
Alexa Davalos as Andromeda, the princess that will be sacrificed to the kraken
Izabella Miko as Athena, Goddess of Wisdom and Knowledge
Mads Mikkelsen as Draco, leader of the Praetorian Guard
Jason Flemyng as Acrisius/Calibos
Danny Huston as Poseidon, God of the rivers, oceans and seas
David Kennedy as Cepheus's General
Tamer Hassan as Ares, God of war and battle
Pete Postlethwaite as Spyros, foster father of Perseus
Polly Walker as Cassiopeia, Queen of Argos
Vincent Regan as Cepheus, King of Argos
Luke Treadaway as Prokopion
Luke Evans as Apollo, God of the Sun, Poetry, Truth, Art and Healing.
Nathalie Cox as Artemis, Goddess of hunting and animals
Nina Young as Hera, Goddess of women and marriage and a wife of Zeus
Kaya Scodelario as Peshet
Nicholas Hoult as Eusebios
Ian Whyte as Sheikh Sulieman, The Djinn who assisted Perseus and the praetorian guards of Argos
Agyness Deyn as Aphrodite, Goddess of love, sex and beauty
Paul Kynman as Hephaestus, God of fire
Alexander Siddig as Hermes, Messenger of the Gods
Charlotte Comer as Demeter, Goddess of the Earth and agriculture
Jane March as Hestia, Goddess of the hearth
Natalia Vodianova as Medusa, The mortal Gorgon
Hans Matheson as Ixas
Mouloud Achour as Kucuk
Liam Cunningham as Solon
Ross Mullan as Pemphredo
Ashraf Barhom as Ozal
Creatures
Stygian Witches - Three women with gray skin and only one eye they share amongst them. They have a taste for human flesh, as their "knowledge demands payment".
Giant scorpions - Scorpions born from the blood of Acrisius; hypnotized by the Djinn.
Gorgon - Medusa the gorgon appears in the film as a giant, half snake, half human creature. She is beheaded by Perseus, leaving the rest of her body to fall into a lava pit.
Djinn - spirit beings living in the desert with magical powers.
Kraken - an enormous sea monster who defeated the titans and was turned to stone by Medusa's head.
Harpies - Winged demons who come from the body of Hades.
Pegasus - The winged horse that Perseus uses to ride to the confrontation with the Kraken.
Bubo - The mechanical owl from the 1981 film makes a cameo appearance early in the film.
Sequel
It has been stated that a sequel will be developed. Director Louis Leterrier will not come back to direct but will be an executive producer on the project. Clash of the Titans II has a tentative 2012 release date.
Greek mythology in popular culture | English-language films | American epic films | Films based on Greco-Roman mythology | Film remakes | Warner Bros. films | Legendary Pictures films | American fantasy adventure films | 3-D films | D-BOX motion-enhanced films | 2010 films
Friday, March 26, 2010
How to Train Your Dragon (2010)
How to Train Your Dragon
How to Train Your Dragon is a 2010 computer-animated fantasy film by DreamWorks Animation loosely based on the 2003 book of the same title. The film stars the voice talents of Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, T.J. Miller, Kristen Wiig, and Christopher Mintz-Plasse.
The story takes place in a mythical Viking world where a young Viking teenager named "Hiccup" aspires to follow his tribe's tradition of becoming a dragon slayer. After finally capturing his first dragon, and with his chance at finally gaining the tribe's acceptance, he finds that he no longer has the desire to kill it and instead befriends it. The film was released March 26, 2010, to very positive reviews.
Plot
Hiccup is the only son of the Viking Chief, Stoick the Vast, on the island of Berk, which is beset by dragons which raid their stock of sheep. Hiccup works as an apprentice to the blacksmith, Gobber the Belch.
During a raid, Hiccup shoots down a rare dragon called a Night Fury with a bolas cannon that he made, but no one believes him. Attempting to get proof, Hiccup goes to the woods and finds the downed dragon, but cannot bring himself to kill it. He frees it and it flies off to a canyon.
Stoick enrolls Hiccup in dragon training with the other village youths and leaves with a search party of Vikings to find the Dragon’s Nest, in order to wipe them out and finish the war. After being told that dragons are vicious and will always "go for the kill," Hiccup returns to the forest, wondering why the Night Fury didn't. The Night Fury is still trapped in the canyon, and is missing a part of its tail from the previous crash landing, leaving it unable to fly properly. Hiccup decides to befriend the dragon, which he names Toothless, and eventually fashions an artificial tail wing and control harness. While helping Toothless fly again, Hiccup gains an extensive appreciation of dragons. With this knowledge, Hiccup is able to progress in dragon combat training to the amazement of his classmates and the jealousy of Astrid, who becomes strongly suspicious.
Stoick and his army return battered and tired, without having found the nest. However, Stoick's spirits are lifted when Gobber and others begin congratulating him on Hiccup's rise as a formidable warrior. Feeling a chance to bond with his son, Stoick honors Hiccup with a Viking helmet made from half of the breast plate of Hiccup's late mother.
When Hiccup earns the right to kill a dragon as a graduation rite, he decides to leave Berk with Toothless to avoid performing such an act. Astrid follows him to the hideout and discovers his friendship with the dragon. She tries to run back to the village, but Hiccup and Toothless stop her; Hiccup asks for a chance to explain, and they take her for a ride. In their flight, they get caught in a herd of dragons carrying food and follow them to their nest. There, they discover that the dragons steal food to feed a much larger, parasitic dragon that eats them if they do not provide enough food. After they leave, Astrid wants to tell the village of the nest's location, but Hiccup decides against it in order to protect Toothless. Astrid agrees to keep quiet for the night.
The next day, during Hiccup's graduation battle, he throws down his weapons and tries to show everyone that dragons are not as bad as they seem. Stoick shouts to stop the battle before Hiccup can continue, and the agitated dragon attacks Hiccup. Toothless hears Hiccup's screams and rushes to save him. He quickly overpowers the dragon, the Vikings sent to capture him, and finally Stoick. He opens his mouth to kill the tribe leader, but at the last second Hiccup screams "No!" Toothless backs off and becomes tame and docile, and is quickly pinned by Vikings. Stoick confronts his son angrily at learning about his son's friendship with a dragon. Hiccup accidentally tells him that he has been to the nest, and Stoick decides to use Toothless to lead them there, ignoring his son's desperate warnings about the nest's true danger.
The Vikings set sail with Toothless, leaving Hiccup with Astrid. He notes that this situation would not have happened if he had killed Toothless in the first place, but he also discovers that he was merciful towards Toothless because of compassion, not weakness. Invigorated, Hiccup decides to use the dragons the Vikings use for dragon fighting practice to fly to the nest to help his tribe. Astrid gathers Tuffnut, Ruffnut, Fishlegs and Snotlout to help, and all mount the training dragons and set off after the Vikings.
As the Vikings arrive at the nest, all the dragons flee the island in the resulting attack and the roused giant dragon sets all the boats on fire, including the one to which Toothless is chained. Hiccup and the others arrive, and, while he goes to free Toothless, the others try to distract the giant dragon. As the boat is sinking, Hiccup tries to free the still-chained Toothless but nearly drowns. Stoick saves both his son and Toothless.
After an aerial battle, Hiccup and Toothless kill the giant dragon. Hiccup is knocked out and falls into the explosion, and Toothless dives in to save him. Stoick searches the rubble for his son, but only finds Toothless; at first, everyone thinks Hiccup has died in the explosion, but Toothless reveals that he saved Hiccup by wrapping him in his wings.
Hiccup reawakens in his home some days later, to find Toothless by his bedside. As he is getting out of bed, he realizes that his left foot was lost in the fire and has been replaced with a prosthetic made by Gobber, in contrast to the artificial tail wing he created for Toothless before; outside, he sees that the Vikings have invited the dragons to live in the village. Hiccup is welcomed back as a hero and receives a kiss on the lips from Astrid. Hiccup and Astrid ride their dragons through the newly-reformed Berk, signifying a new beginning for both worlds.
http://en.wikipedia.org/wiki/How_to_Train_Your_Dragon_(film)
English-language films | 2010 films | American animated films | Computer-animated films | 3-D films | Animated films | Films about dragons | Films based on children's books | Animated features released by DreamWorks SKG | Animated features released by Paramount Pictures | DreamWorks Animation films
| Directed by | Chris Sanders, Dean DeBlois |
| Produced by | Bonnie Arnold, Doug Davison, Roy Lee, Michael Connolly, Tim Johnson |
| Written by | Adam F. Goldberg, Peter Tolan, Dean DeBlois, Chris Sanders, Cressida Cowell (Story) |
| Narrated by | Jay Baruchel |
| Starring | Jay Baruchel, Gerard Butler, Christopher Mintz-Plasse, Jonah Hill, America Ferrera, Craig Ferguson |
| Music by | John Powell |
| Editing by | Darren T. Holmes |
| Studio | DreamWorks Animation |
| Distributed by | Paramount Pictures |
| Release date(s) | March 26, 2010 |
| Running time | 98 minutes |
| Country | United States |
| Language | English |
How to Train Your Dragon is a 2010 computer-animated fantasy film by DreamWorks Animation loosely based on the 2003 book of the same title. The film stars the voice talents of Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, T.J. Miller, Kristen Wiig, and Christopher Mintz-Plasse.
The story takes place in a mythical Viking world where a young Viking teenager named "Hiccup" aspires to follow his tribe's tradition of becoming a dragon slayer. After finally capturing his first dragon, and with his chance at finally gaining the tribe's acceptance, he finds that he no longer has the desire to kill it and instead befriends it. The film was released March 26, 2010, to very positive reviews.
Plot
Hiccup is the only son of the Viking Chief, Stoick the Vast, on the island of Berk, which is beset by dragons which raid their stock of sheep. Hiccup works as an apprentice to the blacksmith, Gobber the Belch.
During a raid, Hiccup shoots down a rare dragon called a Night Fury with a bolas cannon that he made, but no one believes him. Attempting to get proof, Hiccup goes to the woods and finds the downed dragon, but cannot bring himself to kill it. He frees it and it flies off to a canyon.
Stoick enrolls Hiccup in dragon training with the other village youths and leaves with a search party of Vikings to find the Dragon’s Nest, in order to wipe them out and finish the war. After being told that dragons are vicious and will always "go for the kill," Hiccup returns to the forest, wondering why the Night Fury didn't. The Night Fury is still trapped in the canyon, and is missing a part of its tail from the previous crash landing, leaving it unable to fly properly. Hiccup decides to befriend the dragon, which he names Toothless, and eventually fashions an artificial tail wing and control harness. While helping Toothless fly again, Hiccup gains an extensive appreciation of dragons. With this knowledge, Hiccup is able to progress in dragon combat training to the amazement of his classmates and the jealousy of Astrid, who becomes strongly suspicious.
Stoick and his army return battered and tired, without having found the nest. However, Stoick's spirits are lifted when Gobber and others begin congratulating him on Hiccup's rise as a formidable warrior. Feeling a chance to bond with his son, Stoick honors Hiccup with a Viking helmet made from half of the breast plate of Hiccup's late mother.
When Hiccup earns the right to kill a dragon as a graduation rite, he decides to leave Berk with Toothless to avoid performing such an act. Astrid follows him to the hideout and discovers his friendship with the dragon. She tries to run back to the village, but Hiccup and Toothless stop her; Hiccup asks for a chance to explain, and they take her for a ride. In their flight, they get caught in a herd of dragons carrying food and follow them to their nest. There, they discover that the dragons steal food to feed a much larger, parasitic dragon that eats them if they do not provide enough food. After they leave, Astrid wants to tell the village of the nest's location, but Hiccup decides against it in order to protect Toothless. Astrid agrees to keep quiet for the night.
The next day, during Hiccup's graduation battle, he throws down his weapons and tries to show everyone that dragons are not as bad as they seem. Stoick shouts to stop the battle before Hiccup can continue, and the agitated dragon attacks Hiccup. Toothless hears Hiccup's screams and rushes to save him. He quickly overpowers the dragon, the Vikings sent to capture him, and finally Stoick. He opens his mouth to kill the tribe leader, but at the last second Hiccup screams "No!" Toothless backs off and becomes tame and docile, and is quickly pinned by Vikings. Stoick confronts his son angrily at learning about his son's friendship with a dragon. Hiccup accidentally tells him that he has been to the nest, and Stoick decides to use Toothless to lead them there, ignoring his son's desperate warnings about the nest's true danger.
The Vikings set sail with Toothless, leaving Hiccup with Astrid. He notes that this situation would not have happened if he had killed Toothless in the first place, but he also discovers that he was merciful towards Toothless because of compassion, not weakness. Invigorated, Hiccup decides to use the dragons the Vikings use for dragon fighting practice to fly to the nest to help his tribe. Astrid gathers Tuffnut, Ruffnut, Fishlegs and Snotlout to help, and all mount the training dragons and set off after the Vikings.
As the Vikings arrive at the nest, all the dragons flee the island in the resulting attack and the roused giant dragon sets all the boats on fire, including the one to which Toothless is chained. Hiccup and the others arrive, and, while he goes to free Toothless, the others try to distract the giant dragon. As the boat is sinking, Hiccup tries to free the still-chained Toothless but nearly drowns. Stoick saves both his son and Toothless.
After an aerial battle, Hiccup and Toothless kill the giant dragon. Hiccup is knocked out and falls into the explosion, and Toothless dives in to save him. Stoick searches the rubble for his son, but only finds Toothless; at first, everyone thinks Hiccup has died in the explosion, but Toothless reveals that he saved Hiccup by wrapping him in his wings.
Hiccup reawakens in his home some days later, to find Toothless by his bedside. As he is getting out of bed, he realizes that his left foot was lost in the fire and has been replaced with a prosthetic made by Gobber, in contrast to the artificial tail wing he created for Toothless before; outside, he sees that the Vikings have invited the dragons to live in the village. Hiccup is welcomed back as a hero and receives a kiss on the lips from Astrid. Hiccup and Astrid ride their dragons through the newly-reformed Berk, signifying a new beginning for both worlds.
http://en.wikipedia.org/wiki/How_to_Train_Your_Dragon_(film)
English-language films | 2010 films | American animated films | Computer-animated films | 3-D films | Animated films | Films about dragons | Films based on children's books | Animated features released by DreamWorks SKG | Animated features released by Paramount Pictures | DreamWorks Animation films
Thursday, July 3, 2008
[Y^^]: Hancock (2008)
[Y^^]: Hancock(2008)
Studio: Overbrook Entertainment, Weed Road Pictures, Blue Light Productions, Relativity Media
Distributed by: Columbia Pictures
Release date(s): July 3, 2008 (United States)
Wanted(2008) and Hancock(2008). They are different genre and style. However, they have have something in common. Both of them are unconventional. They tried something new.
Studio: Overbrook Entertainment, Weed Road Pictures, Blue Light Productions, Relativity Media
Distributed by: Columbia Pictures
Release date(s): July 3, 2008 (United States)
Wanted(2008) and Hancock(2008). They are different genre and style. However, they have have something in common. Both of them are unconventional. They tried something new.
Someone may say Hancock is not so new, but Hancock is different from the other heroes who familiar with us.
He has superhuman power, but he is not a perfect hero. He is also different from the heroes who are tormented by mental suffering.
Hancock has physical power, but he is not a hero nor a villain. His intention to catch thiefs does not justify his actions. The citizens blame him and he is sent to jail.
Step by step, he becomes the hero who we are familiar with.
When they say that they are named as heroes, angels or gods, it seems contrived. Except that it's delightful film.
Thursday, October 27, 2005
AFI #001 Clark Gable as Rhett Butler from Gone with the Wind (1939)
Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything.
Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief.
Scarlett: Rhett! Rhett, where are you going?
Rhett: I'm going to Charleston, back where I belong.
Scarlett: Please, please take me with you!
Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something left in life of charm and grace. Do you know what I'm talking about?
Scarlett: No! I only know that I love you.
Rhett: That's your misfortune. [turns to walk down the stairs]
Scarlett: Oh, Rhett! [watches Rhett walk to the door] Rhett! [runs down the stairs after him] Rhett, Rhett! Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?
Rhett: Frankly, my dear, I don't give a damn.
- Clark Gable as Rhett Butler from Gone with the Wind (1939)
The bolded line is ranked #1 in the American Film Institute's list of the top 100 movie quotations in American cinema.
http://en.wikiquote.org/wiki/Gone_with_the_Wind
American Film Institute's list of the top 100 movie quotations
Wednesday, October 26, 2005
AFI #002 Marlon Brando as Don Vito Corleone from The Godfather (1972)
Johnny Fontane: A month ago, he bought the movie rights to this book. A best seller – and the main character, it's a guy just like me. I, uh, I wouldn't even have to act, just be myself. [choking up] Oh, Godfather, I don't know what to do. I don't know what to do.
[Don Corleone stands up and shakes Johnny]
Don Corleone: [shouting] You can act like a man!
[Don Corleone slaps Johnny]
Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family?
Johnny Fontane: Sure I do.
Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want.
Johnny Fontane: It's too late, they start shooting in a week.
Don Corleone: I'm going to make him an offer he can't refuse. Now, you just go outside and enjoy yourself, and, uh, forget about all this nonsense. I want you – I want you to leave it all to me.
- Marlon Brando as Vito Corleone from The Godfather (1972)
The bolded line is ranked #2 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
[Don Corleone stands up and shakes Johnny]
Don Corleone: [shouting] You can act like a man!
[Don Corleone slaps Johnny]
Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family?
Johnny Fontane: Sure I do.
Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want.
Johnny Fontane: It's too late, they start shooting in a week.
- Marlon Brando as Vito Corleone from The Godfather (1972)
The bolded line is ranked #2 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Tuesday, October 25, 2005
AFI #003 Marlon Brando as Terry Malloy from On the Waterfront (1954)
Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charlie: Oh I had some bets down for you. You saw some money.
Terry: You don't understand! I coulda had class. I coulda been a contender. I could've been somebody, instead of a bum, which is what I am. Let's face it. It was you, Charley.
- Marlon Brando as Terry Malloy from On the Waterfront (1954)
The bolded line is ranked #3 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charlie: Oh I had some bets down for you. You saw some money.
- Marlon Brando as Terry Malloy from On the Waterfront (1954)
The bolded line is ranked #3 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Monday, October 24, 2005
AFI #004 Judy Garland as Dorothy Gale from The Wizard of Oz (1939)
Dorothy: [after a pause] We must be over the rainbow!
[a bubble appears in the sky and gets closer and closer. It finally lands, then turns into Glinda the Good Witch wearing a spectacular white dress and crown, holding a wand]
Dorothy: [to Toto] Now I... I know we're not in Kansas!
- Judy Garland as Dorothy Gale from The Wizard of Oz (1939)
The bolded line is ranked #4 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Sunday, October 23, 2005
AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)
Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have it before...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that.
[Ilsa lowers her head and begins to cry]
Rick: Now, now...
[Rick gently places his hand under her chin and raises it so their eyes meet]
Rick: Here's looking at you, kid.
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have it before...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that.
[Ilsa lowers her head and begins to cry]
Rick: Now, now...
[Rick gently places his hand under her chin and raises it so their eyes meet]
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)
Rick: Who are you really, and what were you before? What did you do and what did you think, huh?
Ilsa: We said no questions.
Rick: ...Here's looking at you, kid.
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
Ilsa: We said no questions.
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)
Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us.
Rick: All right, I will. Here's looking at you, kid.
Ilsa: [smiles] I wish I didn't love you so much.
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes".
This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the other patrons in their vision even when drinking.
Thus came the toast "Here's looking at you"
Ilsa: [smiles] I wish I didn't love you so much.
- Humphrey Bogart as Rick Blaine from Casablanca (1942)
The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.
In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes".
This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the other patrons in their vision even when drinking.
Thus came the toast "Here's looking at you"
Friday, October 21, 2005
AFI #007 Gloria Swanson as Norma Desmond from Sunset Boulevard (1950)
- Gloria Swanson as Norma Desmond from Sunset Boulevard (1950)
The bolded line is ranked #7 in the American Film Institute's list of the top 100 movie quotations in American cinema.
American Film Institute's list of the top 100 movie quotations
Thursday, October 20, 2005
AFI #008 Harrison Ford as Han Solo from Star Wars Episode IV: A New Hope (1977)
Han Solo: That's right, yeah. Got some old debts I gotta pay off with this stuff. Even if I didn't, you don't think I'd be fool enough to stick around here, do you? Why don't you come with us? You're pretty good in a fight. We could use you.
[Luke and Han are about to go their separate ways; Luke is upset that Han still plans to leave after receiving his reward]
Luke: Come on. Why don't you take a look around? You know what's about to happen, what they're up against. They could use a good pilot like you. You're turning your back on them.
Han Solo: What good's a reward if you ain't around to use it? Besides, attacking that battle station ain't my idea of courage. It's more like... suicide.
Luke: All right. Well, take care of yourself, Han. I guess that's what you're best at, isn't it?
[starts to storm off]
Han Solo: Hey, Luke!
[Luke stops and turns to face him]
Han Solo: [begrudgingly] May the Force be with you.
[Luke exits. Chewbacca growls]
Han Solo: [to Chewbacca] What're you lookin' at? I know what I'm doin'.
- Harrison Ford as Han Solo from Star Wars Episode IV: A New Hope (1977)
The bolded line is ranked #8 in the American Film Institute's list of the top 100 movie quotations in American cinema.
Wednesday, October 19, 2005
AFI #009 Bette Davis as Margo Channing from All About Eve (1950)
- Bette Davis as Margo Channing from All About Eve (1950)
The bolded line is ranked #9 in the American Film Institute's list of the top 100 movie quotations in American cinema.
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